The Luxury of Torture

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Nigeria

Bitcoin

Draft

Under Review

Raising funds

Victoria Nwosu grows up misunderstood, feeling unseen, unwanted, constantly humiliated, and emotionally isolated; first at school, then at university, and later within her own family. Her intelligence and creativity are overshadowed by bullying, academic failure, and a growing fear of rejection. Despite her struggles, Victoria clings to one dream: storytelling through film.

When she finally gains a scholarship into a film academy in Lagos state, Nigeria, she sees it as her escape; her chance to be seen and valued. However, upon arrival, her housing arrangement collapses, placing her in the hands of a stranger whose kindness turns threatening. Victoria escapes physical harm, but the psychological damage deepens.

As she tries to focus on her film project, the weight of her unresolved trauma begins to surface. She experiences hallucinations of an “Other Victoria”; a cruel, confident version of herself that feeds on her fears, self-hatred, and insecurities. Her sense of reality blurs as past memories of bullying, rejection, betrayal, and academic failure replay violently in her mind.

Her mental state deteriorates further when she begins to suspect betrayal from people around her; particularly within her film project team. Sleep deprivation, fear, and paranoia push her toward emotional collapse. Victoria is eventually forced to confront the truth: the greatest battle is not with Lagos, her classmates, or her past abusers; but with the voice inside her head shaped by years of trauma.

The Luxury of Torture addresses mental health awareness, a growing but underrepresented issue in African storytelling. Many young people silently battle trauma caused by bullying, family pressure, academic failure, and societal expectations often without support or understanding.

- Encourages open conversations about mental health

- Highlights the need for empathy, early intervention, and support systems

- Reflects real experiences faced by young creatives and students

- Aims to inspire resilience, self-acceptance, and healing

Beyond entertainment, the project is designed to educate, provoke dialogue, and foster emotional connection, making it suitable for festivals, cinema, streaming platforms, community screenings, and advocacy campaigns.

Meet Gift Rogers (Also known as, Chiemelie Okonkwo) a passionate filmmaker and visionary Film director who is from Enugu State, Nigeria. Her passion for storytelling has led her to create impactful cinematic works.&nbsp;

In 2019, Gift took her first bold step by completing a course in acting, followed by a filmmaking course in 2024. She further took an intensive directing course at EbonyLife Creative Academy in 2025.&nbsp;

Gift’s debut short film, Self, received critical acclaim, earning multiple award nominations and international recognition; a remarkable start that established her as a rising voice in cinema. She continued to shine with What Happened Last Night, a film franchise which premiered in Port Harcourt, Enugu, and Lagos, Nigeria; with each screening receiving outstanding audience reactions. Now streaming on YouTube, the film continues to inspire viewers across Nigeria and beyond.

Her growing portfolio includes works like Lotanna, The Confined, each reflecting her dedication to exploring meaningful narratives and telling emotionally rich and socially relevant stories.

Gift is a versatile filmmaker and creative strategist with strong storytelling ability, leadership skills, and an eye for impactful visuals. She loves collaborating with talent, guiding performances, and creating films that deeply connect with audiences.&nbsp;

Her personal belief and creative mantra: It’s the passion that drives you.

Dawn Adaeze Atinse is a producer and creative strategist and marketing professional with 5+ years of experience across storytelling, PR &amp; Advertising, Corporate communications, Branding, and Production management.

Trained as a Producer at EbonyLife Creative Academy, Nigeria where she worked hands-on in production planning and development, budgeting, scheduling, cast/crew coordination, and on-set management.

Experienced in leading end-to-end production processes from ideation to execution, and ensuring structure, clarity, and seamless collaboration across departments. She has managed multiple creative projects across marketing campaigns, brand activations, film, digital media, and content strategy, bringing strong organisational and leadership skills to every production.

She seamlessly merges strategic thinking with deep emotional intelligence, enabling her to guide stories that resonate, connect, and inspire audiences, and is passionate about amplifying African stories with excellence, professionalism, and creative direction.

Emmanuel Oluyori is a versatile and accomplished filmmaker, producer, director of photography (DOP), and editor, with experience across films, documentaries, and various projects. He has worked with a wide range of clients, from big corporations, foreign incorporated bodies, small businesses, religious organizations, fintech companies and production companies to small businesses and religious organizations.&nbsp;

- DOP for Ophidiophobia (2022) directed by Toyosi Ige

- DOP, editor, and colorist for House of Secrets (2023) directed by Niyi Akimolayan currently streaming&nbsp; on Amazon prime video

- Cinematographer for Skinny Girl in Transit, currently on Ndani TV

- DOP for Fading Echoes (2025), now on IMDb

He has also worked on events like the GTCO Fashion Weekend and multiple roles for Aso Oke Exposé (director, DOP, editor, and colorist) etc.

Beyond filmmaking, Emmanuel teaches video and photography, helping students learn the craft. He is skilled in post-production, including editing, color grading, motion graphics, and preparing videos for online platforms. He also researches and selects supporting content like images, music, and footage to make projects look and feel professional.

With both creative vision and technical skills, Emmanuel brings stories to life while helping brands and projects communicate their values clearly.

Production house: The Gift Rogers Imagination

The Gift Rogers Imagination founded by filmmaker Gift Rogers, is a film and content production company rooted in strong storytelling. We are dedicated to producing emotionally resonant, socially relevant, and visually captivating stories that elevate African voices, challenge societal norms, and enrich lives. The company is built on Gift Rogers’ love for storytelling and her instinctive eye for detail. Each project we produce, whether it’s a thrilling story or an emotional drama is created with authenticity, creativity, and strong visuals in mind.

Its growing body of work shows how much we care about making quality films and trying new, bold ideas. With a talented team of professionals and a relentless pursuit of excellence, The Gift Rogers Imagination stands poised to make its mark on the global film industry, one unforgettable story at a time.

To become a leading African film and content company known for creating emotionally resonant, socially relevant, and visually captivating stories that spotlight African culture, elevate emerging voices, and transform lives through cinema.

Our mission is to produce powerful films and multimedia content that inspire, educate, and challenge norms. We are committed to nurturing talent, promoting African narratives, and building a strong creative industry in the South East and across the continent.

The Luxury of Torture is a high-impact, low-risk creative project designed to deliver both cultural value and measurable returns in visibility, credibility, and long-term monetization opportunities.

This film addresses mental health, trauma, and youth resilience; themes that are increasingly relevant across Africa and globally, yet remain underrepresented in Nigerian cinema. Because of its strong social relevance, the project is well positioned for grant support, festival selection, institutional screenings, and partnerships with NGOs, educational bodies, and mental-health advocacy organizations.

Funding this project allows Feni Finance to:

- Support a socially responsible film with clear educational and awareness outcomes- Back a project with strong festival and distribution potential- Enable high production quality while keeping costs realistic and transparent- Invest in a filmmaker with a proven track record of executing socially driven film projects- From a financial perspective, The Luxury of Torture has multiple value streams:

Film festivals (local and international exposure)- Community and institutional screenings- Digital distribution platforms- Brand partnerships and advocacy collaborations- Long-term portfolio value for future investor-backed projects

Ultimately, The Luxury of Torture is more than a film; it is a strategic cultural product with lasting relevance. Funding this project means supporting a story that educates, resonates, and positions Feni Finance as a key enabler of impactful African storytelling.

Thank you to the Feni Finance team for the incredible work you are doing to support creatives. Your commitment to empowering filmmakers and creative entrepreneurs through accessible funding is not only impactful but transformative. By creating opportunities for stories like ours to be told, Feni Finance is helping to shape culture, amplify important voices, and strengthen the creative economy. I truly appreciate the platform, guidance, and belief you extend to creatives, and I’m grateful to be part of this ecosystem. I look forward to hearing from you.

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The Gift Rogers Imagination

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PANCHAYATI

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India

Panchayati is a story about self-respect, independence, and the power of choice. Set in a small Indian village where traditions and community verdicts often carry more weight than written laws. The story revolves around Shankar, a humble cycle-rickshaw driver, and his wife Phoolmati, who decide to separate after years of marriage. Their separation is taken to the village council, which steps in to deliver what it believes is a fair and protective decision.

The council orders Shankar to pay monthly alimony to Phoolmati so she does not have to depend on others. The village sees this as an act of justice and relief for a “helpless” woman.

But Phoolmati refuses. She questions why society assumes she cannot earn for herself. She rejects living on money given out of obligation by a man she has emotionally separated from. In a moment of quiet courage, she chooses dignity over dependency and walks away from the council.

A Bhojpuri Filmmaker who believes in honest, grounded storytelling rooted in real social spaces.&nbsp;

With Panchayati, Ujjwal brings forward a story that does not shout or preach, but stays with the audience through its simplicity and truth. His direction allows the characters and their choices to speak louder than any message.

Why this film matters and why you should support it&nbsp;🫶🏼

-Panchayati challenges deep-rooted social assumptions about women, dependency, and dignity. It presents empowerment not as rebellion, but as self-belief.&nbsp;

-The film gives voice to rural women rarely represented with agency and complexity

-It is culturally rooted, yet emotionally universal.&nbsp;

-Supporting Panchayati means supporting cinema that reflects society honestly and responsibly, without exaggeration or compromise.

The total project budget: ₹10.9 lakh (~USD 13,130).

To raise this amount, the project is divided into 11,403 MPC units, each priced at ₹95.59. Supporters can purchase one or more MPCs, effectively becoming part of the film’s ownership ecosystem.

In essence, Panchayati is funded not by a single studio or investor, but by a community that believes in meaningful cinema and shares in its success. It reminds us that dignity cannot be granted by others, it must be claimed. And sometimes, the bravest act is simply saying no.

Not Reachable

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Arjun Rao is a visionary filmmaker and producer known for his keen storytelling and innovative approach to cinema is collaborating with director Suneeth Kumar. The driving force behind them will be their production house: Balaji Films International. A production house that has been crafting narratives across films, TV serials, documentaries, and music videos.&nbsp;

Arjun Rao once said:&nbsp;"Cinema is not just about telling stories; it's about creating worlds long after the credits roll".

Arjun Rao also said: "If you are not making big budget films with great production houses, then you don't need the same kind of planning as in low-budget films. This is &nbsp;because everyone on set is there for the opportunity as the budget information is transparent. This gives independent artist in todays generation with all the technology a huge opportunity to create genres that are more laid back and made in short form content for fast cash".

Anasuya, a housewife, is left alone when her husband, Chandrakanth, leaves for a business trip. One night, she sees her neighbor, Murali, dragging a body into his house. He then confesses his feelings for her and reveals a shocking truth—her husband died in an accident, and to protect her, he has already cremated the body and erased all evidence.

Meanwhile, Inspector Venkateswarlu begins investigating Chandrakanth’s disappearance. As he delves deeper into the case, he becomes infatuated with Anasuya and is determined to uncover the truth. Now, Anasuya must choose to keep the secret hidden or risk everything as the investigation intensifies. Reference movies 🤌🏽

Not Reachable is more than just a film—it’s a smart investment with strong commercial potential. Thrillers consistently perform well in theaters and on OTT platforms, ensuring multiple revenue streams, including theatrical release, digital and satellite rights, and merchandising. With a strategic budget and high audience demand for suspense-driven stories, this project is designed for maximum impact and strong ROI. Its potential for international recognition further enhances its value, making it both a cinematic and financial success.

We need the audiences help to recover the investment.. We have come to close a distribution deal which is based upon a performance. where we as a collective will be payed per-view 0,08USD per view. Budget for completion and premiere with taxes and fees is set for:&nbsp; Budget: 100 000USD ≈ 86lakhs INR Recovery plan: 100 000 / 0.08 = 1&nbsp;250&nbsp;000(one million two hundred fifty views)&nbsp;on the OTT-channel is needed to hit breakeven before revenue sharing starts.

Execution plan from Creator:As the project develops we will keep all are MPC-holders updated in the forum on feni.finance. As soon as we are fully financed we will sign the deal with the distributors and upload it so our MPC-holder can prepare for a crowd watch in the beginnings of 2026 to not just break even but to profit together.&nbsp; Extra future possible incomes: -Subcidy from Uttarakhand government -Theatrical release&nbsp; -Private screenings -Film Festivals

Our first plan was a big budget including some star names to carry us. But didn't happen, so now we will carry ourself and introduce new fresh faces to the cinema giving Not reachable a realistic vibe of undried acting-which will help to connect with you, a newborn audience of financiers. &nbsp;&nbsp;

Quotes from team Arjun Rao &amp; Suneeth Kumar 🏏

Arjun Rao - Producer:"Cinema is about creating unforgettable experiences, and Not Reachable promises to do just that. With its gripping narrative and commercial appeal, this film will captivate audiences and deliver strong returns. Thank you for your belief in the power of storytelling. Let’s do this together" .&nbsp;

Suneeth Kumar - Director:&nbsp;"A great film is when everyone in the team is making a good film".

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Balaji films international 2005

Seepeeyan (1984)

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Let's say you want to investing in Bollywood for what is once was, then some movies are forever. Further let's go back in time and imagine Om Puri(1950-2017) going into the filmset as a newcomer in Seepeeyan(1984) to become the legend he left. Just that sentence says legacy.&nbsp;

The story: Wealthy Jeetu(played by Kanwaljeet Singh) impregnates Kalyani(played by Debashree Roy), refuses marriage. Heartbroken, she tries suicide, saved by lower-caste Gokul(played by Om Puri) who marries her. Jeetu wants Kalyani back, but she stays with honorable Gokul.

Producer &amp; Director - Akash Jain🪄&nbsp;

A time when Bollywood was more than just films for generations that had to find themself expressing the blossom of India's independence growing to a real economy. Filmmakers like Akash Jain was the backbone of that era during the 80s and 90s where companionship moved India forward with the medium of cinema.

"I have worked with many who all today are remembered as stars. But Om Puri still have my heart stolen as I got the chance to see him born into a star during this performance. And not to forget Debashree making this possible by her synergy" - Akash Jain.

Truth is a lot have happened since 1984, but Akash Jain Production still gets offers to put this movie back for screenings. To understand the value of Akash's performance in Seepiyan we will first have to understand the bold sexual scenes that have grew from the truth to fight back their secrets by sharing them with the world in a costumed story.

"When I'm not here, God forbid, but when the day comes, this will be the movie I will be remembered for" - Akash Jain.

Financial understandings from the past 🏦

Seepeeyan had its first cinema release back in 1984. The movie did a lesser successful round on the big-screen, but did the important part to recover financially. Later the film has been screened on Dhordarshan for a while generating some more income and also some revenues from Youtube, but not more profits than the distributors costs which didn't turnout like it was promised to Akash Jain. Without dropping names, this is Bollywood and business can therefore be traumatising. Good or for bad, we will see, all we can do is share the Truth that Seepeeyan is more interesting for the audiences today than it was back then in the 80s.&nbsp;

Old movies in a new world have a future as the form of the film medium is changing to become a financial commodity for the corporate books. Some buy crypto, some have silver, but who will have Seepiyan is to be defined by us together. If art means something than this film may become the one representing that same movement✌🏽

Seepeeyan should first be looked as a gallery-investment as its valuation today is of a collectors value. The movie should with the right marketing be able to run on some organised week in a modern cinema hall or it will find it's way back to a practical OTT-platform for the senior audiences that still today feel a strong connection towards the presented cast below:

A modest family owned office delegated by Akash Jain who have been a name in the film industry since forever for some. AJP is built on the core values to be truthful in the storytelling, and again tell the story. AJP together with Akash Jain as the Executive Creator welcomes you to hail the name of Om Puri and somehow bring back the audiences interest for what once was called Bollywood 🐘.

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